Two Days of Fashion Heaven:

hiTechMODA Season 14

hiTechMODA has built its reputation on something rare in the fashion world: the ability to bridge the gap between established icons and emerging designers. Founded and led by Pamela Privette, the production company has become a proving ground for visionary newcomers while also giving space for household names to dazzle anew. With Season 14, that mission was not only alive—it was flourishing.

A Global Stage in the City That Never Sleeps
Walking into the Edison Ballroom, I was struck by the diversity on display, not just in the audience but on the runway itself. The lineup boasted 39 designers from around the globe, representing cultures and aesthetics as varied as New York City itself. Couture gowns, ready-to-wear looks, pageantry designs, and avant-garde statements flowed one after another, making it clear that hiTechMODA’s platform isn’t about one singular vision—it’s about many.

From the bold work of Nita Belle’s Closet and Marc Defang’s pageant-ready brilliance to the intricate craftsmanship of Luxe by Rian Fernandez and the ethereal artistry of Zalina Couture by Ronaldo Arnaldo, every collection told a story. I found myself marveling at how seamlessly the show moved between edgy modernism and timeless elegance. This wasn’t just fashion; it was a living gallery of global creativity. 

The Democratization of the Runway
Pamela Privette has often said that hiTechMODA was built to democratize the runway. Sitting in that ballroom, I saw that mission in action. It wasn’t just about big names; it was about giving equal footing to designers at every stage of their careers. That inclusivity makes hiTechMODA one of the most exciting shows of Fashion Week—because you never quite know where the next breakout star will emerge.

The international roster included talents like Danny Booc, Marjorie Kobayashi, Melanie Caballero Couture, and Omar Mansoor, each adding their own unique voice to the conversation. It felt less like a fashion show and more like a cultural exchange, where the runway became a shared language. 

Star Power on the Catwalk
Of course, a hiTechMODA show wouldn’t be complete without a little glamour. Season 14 delivered with VIP models that brought both pageantry and prestige to the catwalk. The Rian Fernandez show lit up with appearances from Christiana DiNardo (Miss New York USA), Ivy Harrington (Miss New Jersey USA), and Telelangana Kashvi (Miss Universe), among others. Meanwhile, Alonso Maximo’s showcase featured international stars like Clayton Maxwell (Mister Man of the Year 2025) and Ioanna Saratopolous (Miss Cosmo Greece 2025).

There was a palpable pride in the room as these models graced the runway, not just as faces of fashion but as ambassadors of their countries and titles. It was another reminder of how hiTechMODA thrives on inclusivity and diversity. 

A Production That Raises the Bar
What makes hiTechMODA stand out isn’t only the designers or the models—it’s the sheer quality of the production. From the lighting to the pacing, from the music to the choreography, everything felt polished and intentional. Pamela Privette and her elite team have mastered the art of creating a space where both designers and audiences feel part of something truly world-class. 

hiTechMODA has also become a leader in pushing conversations around technology, sustainability, and inclusivity in fashion. This isn’t a show stuck in the past; it’s one building the future of what fashion weeks can and should look like.  

The Takeaway
As I left the Edison Ballroom after two whirlwind days, I couldn’t help but feel energized. In a city where fashion shows are everywhere, hiTechMODA managed to create something rare: a stage where established legends, emerging talents, and global perspectives share equal billing. 

Season 14 wasn’t just another event on the Fashion Week calendar—it was a reminder of why New York remains the ultimate fashion capital. It’s here, in the heart of Times Square, that creativity from every corner of the globe found its way onto a single runway. And in those two days, we all witnessed fashion at its most inclusive, dynamic, and inspiring.  

hiTechMODA calls it a production. I’d call it a movement.